World War I

Gender roles are nowhere more prominent than in war. Yet contentious debates, and the scattering of scholarship across academic disciplines, have obscured understanding of how gender affects war and vice versa. In this authoritative and lively review of our state of knowledge, Joshua Goldstein assesses the possible explanations for the near-total exclusion of women from combat forces, through history and across cultures. Topics covered include the history of women who did fight and fought well, the complex role of testosterone in men's social behaviours, and the construction of masculinity and femininity in the shadow of war. Goldstein concludes that killing in war does not come naturally for either gender, and that gender norms often shape men, women, and children to the needs of the war system.

The compelling story of the pioneering women who served in World War I.

Recounts the role of US women in military and relief efforts at home and abroad while the men were fighting to end war. Drawing heavily from interviews, diaries, letters, and memoirs, describes service in the Navy, Marines, Signal Corp, Red Cross, Salvation Army, YMCA; and as Army Nurses, reconstruc

This book brings together a collection of works by scholars who have produced some of the most innovative and influential work on the topic of First World War nursing in the last ten years. The contributors employ an interdisciplinary collaborative approach that takes into account multiple facets of Allied wartime nursing: historical contexts (history of the profession, recruitment, teaching, different national socio-political contexts), popular cultural stereotypes (in propaganda, popular culture) and longstanding gender norms (woman-as-nurturer). They draw on a wide range of hitherto neglected historical sources, including diaries, novels, letters and material culture. The result is a fully-rounded new study of nurses' unique and compelling perspectives on the unprecedented experiences of the First World War.nbsp;

Despite acts of female heroism, popular memory, as well as official memorialization in monuments and historic sites, has ignored French women's role in the First World War. This book explores stories that were never told and why they were not. These include the experiences of French women in the war, the stories they themselves told about these experiences and how French society interpreted them. The author examines the ways French women served their country - from charity work, nursing and munitions manufacture to volunteering for military service and espionage.

This book examines women's experiences along the Italian Front during World War I to understand how the war affected cultural ideas about femininity.

The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.

What did home mean to British soldiers and how did it help them to cope with the psychological strains of the Great War? Family relationships lie at the heart of this book. It explores the contribution letters and parcels from home played in maintaining the morale of this largely young, amateur army. And it shows how soldiers, in their turn, sought to adapt domestic habits to the trenches. …this study asks fundamental questions about the psychological resources of this generation of young men.

Mark Micale reveals…the innumerable cases of disturbed and deranged men who passed under the eyes of male medical and scientific elites from the seventeenth century onward. ... While cultural and literary intellectuals pioneered new languages of male emotional distress, European science was invested in cultivating and protecting the image of male, middle-class detachment, objectivity, and rationality despite rampant counter-evidence in the clinic, in the laboratory, and on battlefields. The reasons for suppressing male neurosis from the official discourses of science and medicine as well as from popular view range from the personal and psychological to the professional and the political. They make for a history full of profound silences, omissions, and amnesias.

Paul Lerner traces the intertwined histories of trauma and male hysteria in German society and psychiatry and shows how these concepts were swept up into debates about Germany's national health, economic productivity, and military strength in the years surrounding World War I. From a growing concern with industrial accidents in the 1880s through the shell shock "epidemic" of the war, male hysteria seemed to bespeak the failings of German masculinity. In response, psychiatrists struggled to turn male-hysterical bodies into fit workers and loyal political subjects. Medical approaches to trauma valorized work and productivity as standards of male health, and psychiatric treatment--whether through hypnosis, electric current, or suggestion--concentrated on turning debilitated soldiers into symptom-free workers. These concerns endured through the Weimar period, as "nervous veterans" competed for disability compensation amid the republic's political crises and economic upheavals.

Modernism and Masculinity argues that a crisis of masculinity among European writers and artists played a key role in the modernist revolution. Gerald Izenberg revises the notion that the feminine provided a premodern refuge for artists critical of individualism and materialism. Industrialization and the growing power of the market inspired novelist Thomas Mann, playwright Frank Wedelind, and painter Wassily Kandinsky to feel the problematic character of their own masculinity. As a result, these artists each came to identify creativity, transcendence, and freedom with the feminine. But their critique of masculinity created enormous challenges: How could they appropriate a feminine aesthetic while retaining their own masculine identities? How did appropriating the feminine affect their personal relationships or their political views?